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The earliest documented examples date to the reign of King Djoser in the Third Dynasty (circa 2675–2625 ). in honor of Richard Fazzini and the excavations of the Temple of Mut in South Karnak; the Mary Smith Dorward Fund; and the Charles Edwin Wilbour Fund, 1991.311" data-src="https:// in. In other myths, Re’s Eye symbolized natural phenomena, such as the Nile’s annual flood and the Egyptian new year. Found in Italy, said to have been in the ruins of Emperor Hadrian’s villa at Tivoli, outside Rome; originally from Egypt, probably Heliopolis.This New Kingdom pair statue represents a married couple. Middle Kingdom, Dynasty 12, reign of Amunemhat II, circa 1876–1842 in. Brooklyn Museum, Charles Edwin Wilbour Fund, 56.85" data-src="https://Egyptologists interpret this image as a cryptogram of Hatshepsut’s throne name ().The sculptural form of a kneeling man holding an intricate symbolic image first appeared in statues of Senenmut and continued for hundreds of years. Brooklyn Museum, Charles Edwin Wilbour Fund, 58.30" data-src="https:// The rich, dark patina of this head is not ancient; the original surface has a duller tone.According to this theory, the front and side views do not merge and the forehead is a schematic, unrealistic trapezoidal configuration. The queen shown here is certainly Nefertiti; the king may be Akhenaten, hi co-regent Smenkhkare, or young Tutankhaten (later Tutankhamun). This statue conveys her role, evoking the typical Egyptian pose of a mother nursing a child. in honor of Richard Fazzini and the excavations of the Temple of Mut in South Karnak; the Mary Smith Dorward Fund; and the Charles Edwin Wilbour Fund, 1991.311 Sakhmet, whose name means “The Powerful One,” wears a sun-disk and cobra on her brow, identifying her as the daughter of the sun-god Re.
English translations are provided for certain key passages.The papyrus is about twenty-five feet long, inscribed on both sides (a rare feature), and contains nearly one hundred “chapters,” almost half of the total known group of texts.Several of the chapters are closer to those found in the Coffin Texts, the collection of funeral texts used in the previous period.The outsides of the box depict the deceased’s journey to the afterlife, including the final judgment by weighing his heart against the feather of truth, while the mummy board shows him as a living presence arrived in the next world.Carbon-14 dating conducted in 2009 indicates that Pasebakhaienipet, who was the mayor of Thebes, died between 1110 and 939 in. Brooklyn Museum, Charles Edwin Wilbour Fund, 37.1777E" data-src="https:// revealing the development of all later ones.