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But the all-around inappropriateness definitely makes you wish Fergie were a mentor on Fox show “The Four,” and not just its host.

Can you imagine the advice she’d dole out to aspiring singers?

Was there collusion, or was this unilaterally sprung upon an unsuspecting America by an outside enemy bent on sowing discord and chaos?

— Fergie’s current hairstyle is somewhere between a Jennifer and a Barbra, but there was much about her manner that made it seem as if she were actually doing some sort of implicit homage to Michelle Pfeiffer’s rendering of “Makin’ Whoopie” in “The Fabulous Baker Boys.” If she had crawled onto a piano about the time she got to the twilight’s last gleaming, it would have made a lot more sense.

But it does seem as if she might be asking herself “What would Ella sing?

,” even though her stylization ultimately seems less Fitzgerald-ian than like Marilyn Monroe suddenly taking “Happy Birthday, Mr. There’s never a good time for a bad performance, but the timing is especially inopportune: Even if she’d pulled it off, you might also wonder why anyone (including the producers and execs who presumably heard this arrangement ahead of time) thought it was a good idea to have a sexy national anthem at the end of one of the more somber weeks in America’s recent history.

But at least Gaye was subtle enough in his reading of Francis Scott Key to leave some plausible deniability about whether he was actually trying to inject some sexual healing into the battlefield anthem.

Also, Gaye kept the eccentric performance low-key and was never in danger of getting out of his vocal comfort zone.

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